He's been deemed the "Anti-Christ", he's been scrutinized more than any other artist in music history. His "acts" have gotten religious protesters in outrage. Protesters still go out to the venues he's performing at, passing out fliers, trying to sway concert-goers' outlook on the views Manson is notorious for. But here's the thing; Something or someone that masses of people dislike heavily, makes that something or someone that more popular. If marijuana was legalized, I doubt there would be as many people doing it. It's the curiosity of trying something "against the rules", the attraction, and in Manson's case, the circus he brings to your city, when he goes on tour.

Marilyn Manson and Twiggy Rameriz.
Has his popularity gone down over the years? Yeah.
Has the "controversy" surrounding him gone down? Of course.
But the imprint Manson has made on music and society, will not wash away anytime soon. Say what you will, about the man, but he has been around 18 years for a reason. He's an artist and a entertainer, along with being a singer. If you look at the whole body of work, you'll find a very smart man. Brian Warner (Marilyn Manson), love him or hate him, has created more then music.
Manson came back out to tour with Slayer, last year, which many deemed a disappointing tour for him as an opening gig. So Manson and Twiggy Rameriz (real name: Jeordie White) (Manson's guitarist from 1993-2002) agreed on terms to headline a tour with fellow band mates Rob Holliday (guitarist), and Kenneth Robert Wilson (drums) for the upcoming new year. They titled it, the "Rape of the World" tour, for North America (the first "Rape of the World" tour started in Europe in summer of 2007) this one starting off in Miami, Florida in mid January and ending early March in Houston, Texas. Which made for one show, not to miss in Houston, as Manson and company finnally finished off a long list of dates, (this tour took place in smaller venues, instead of arenas, like Manson was playing when he opened for Slayer)
So here I was, standing outside Verizon Wireless Theater, in the middle of Downtown Houston, looking at the flocks upon flocks of Manson fans lined around the building waiting for the doors to open. Rain was in the air, it was dark, and at least a hundred black birds were flying around by the Hardrock Cafe (the line was wrapped around the restaurant, it's right by the Verizon Wireless Theater). It made for a real surreal scene.
The doors opened promptly at 7pm. Ours' (the opening band) took the stage a little after 8. Lead singer Jimmy Gnecco had an altercation with a fan in the pit, who kept throwing quarters at him. Gnecco stopped abruptly, after making it public to the rest of the audience, that there was in fact a moron in the crowd, he then jumped into the crowd, trying to fight the man, but security broke it up immediately and kicked the fan out. I couldn't believe it, as well as the rest of the crowd. It created an awkward feel for the rest of their set(which was only a couple more songs). Their set lagged. It started off nicely, but a couple of 10 minute songs with hardly any singing and slow pace drums/guitar, can do that. I wonder what sparked Manson's interest in having this band open for him on the tour, or how he found out about them. Not saying they're bad, but their set could have been more enjoyable.
After their set, a curtain with Manson's logo (the two bloody M's) draped down, to the crowd's cheers. It took over an hour, to get the stage ready for Manson. But it was well worth the wait.

A packed crowd at Verizon Wireless Threatre
The true highlights of the evening came when Manson returned to the years of his creative peak (1996-1998), when his albums Antichrist Superstar and Mechanical Animals ruled the airwaves. The big screen video package for "Beautiful People" featured flashing images of powerful albeit deeply flawed figures such as: Josef Stalin, Martin Luther King, and Mahatma Gandhi. These images were prefect in conveying the underlying meaning of the song; that "the weak" (the masses) are used to justify the power of the "strong" (the beautiful people).

Manson seemed relieved, it was the last show on the tour, but it didn't stop him and the rest of the band from delivering a great performance. I was surprised about how good the lights/backgrounds were for his songs. Manson brought the whole show, and he didn't disapoint.

To the vengeful Christian evangelicals, he'll always be a demonic figure, a rock n roll Boogeyman spoken about in fearful, hushed tones. But we know better. Marilyn Manson is only an "Antichrist" to fundamentalists, those inflicted with tunnel vision and fear of infinite possibilities. For us music fans, he is in the tradition of Frank Zappa and Ozzy Osbourne, always answering the conservatives with their own brand of zealousness, just enough to keep this world balanced.
For Videos from the show: Click Here
(Quality isn't the best due to lighting/sound)

Marilyn Manson and Twiggy Rameriz.
Has his popularity gone down over the years? Yeah.
Has the "controversy" surrounding him gone down? Of course.
But the imprint Manson has made on music and society, will not wash away anytime soon. Say what you will, about the man, but he has been around 18 years for a reason. He's an artist and a entertainer, along with being a singer. If you look at the whole body of work, you'll find a very smart man. Brian Warner (Marilyn Manson), love him or hate him, has created more then music.
Manson came back out to tour with Slayer, last year, which many deemed a disappointing tour for him as an opening gig. So Manson and Twiggy Rameriz (real name: Jeordie White) (Manson's guitarist from 1993-2002) agreed on terms to headline a tour with fellow band mates Rob Holliday (guitarist), and Kenneth Robert Wilson (drums) for the upcoming new year. They titled it, the "Rape of the World" tour, for North America (the first "Rape of the World" tour started in Europe in summer of 2007) this one starting off in Miami, Florida in mid January and ending early March in Houston, Texas. Which made for one show, not to miss in Houston, as Manson and company finnally finished off a long list of dates, (this tour took place in smaller venues, instead of arenas, like Manson was playing when he opened for Slayer)
So here I was, standing outside Verizon Wireless Theater, in the middle of Downtown Houston, looking at the flocks upon flocks of Manson fans lined around the building waiting for the doors to open. Rain was in the air, it was dark, and at least a hundred black birds were flying around by the Hardrock Cafe (the line was wrapped around the restaurant, it's right by the Verizon Wireless Theater). It made for a real surreal scene.
The doors opened promptly at 7pm. Ours' (the opening band) took the stage a little after 8. Lead singer Jimmy Gnecco had an altercation with a fan in the pit, who kept throwing quarters at him. Gnecco stopped abruptly, after making it public to the rest of the audience, that there was in fact a moron in the crowd, he then jumped into the crowd, trying to fight the man, but security broke it up immediately and kicked the fan out. I couldn't believe it, as well as the rest of the crowd. It created an awkward feel for the rest of their set(which was only a couple more songs). Their set lagged. It started off nicely, but a couple of 10 minute songs with hardly any singing and slow pace drums/guitar, can do that. I wonder what sparked Manson's interest in having this band open for him on the tour, or how he found out about them. Not saying they're bad, but their set could have been more enjoyable.
After their set, a curtain with Manson's logo (the two bloody M's) draped down, to the crowd's cheers. It took over an hour, to get the stage ready for Manson. But it was well worth the wait.

A packed crowd at Verizon Wireless Threatre
The true highlights of the evening came when Manson returned to the years of his creative peak (1996-1998), when his albums Antichrist Superstar and Mechanical Animals ruled the airwaves. The big screen video package for "Beautiful People" featured flashing images of powerful albeit deeply flawed figures such as: Josef Stalin, Martin Luther King, and Mahatma Gandhi. These images were prefect in conveying the underlying meaning of the song; that "the weak" (the masses) are used to justify the power of the "strong" (the beautiful people).

Manson seemed relieved, it was the last show on the tour, but it didn't stop him and the rest of the band from delivering a great performance. I was surprised about how good the lights/backgrounds were for his songs. Manson brought the whole show, and he didn't disapoint.

To the vengeful Christian evangelicals, he'll always be a demonic figure, a rock n roll Boogeyman spoken about in fearful, hushed tones. But we know better. Marilyn Manson is only an "Antichrist" to fundamentalists, those inflicted with tunnel vision and fear of infinite possibilities. For us music fans, he is in the tradition of Frank Zappa and Ozzy Osbourne, always answering the conservatives with their own brand of zealousness, just enough to keep this world balanced.
For Videos from the show: Click Here
(Quality isn't the best due to lighting/sound)